Inversion of the Observer and Observed
A museum pavilion design for the work of artist Alberto Giacometti. A small spatial footprint with a large perception-based challenge for users.
Insight:
The human-like form of Giacometti's sculptures creates the possibility for an experience to question more than just the artwork.
Idea:
Translucent glass was used throughout the interior of the pavilion. Behind this glass can always be seen a human figure. At first the users sees the shape as a foreshadowing of what the gallery holds, subconsciously labeling it as the 'known' sculpture. Upon entry into the pavilion, other users are seen back through the glass in the entry sequence as similar, ethereal human forms. An understanding of the inversion occurs as the user realizes they themselves have become the sculpture.
Impact:
"Am I the observer or the observed?"
Breaking down and challenging perception as a user journeys through the space.
A contextual study in light, building envelope possibilities and methods of transition.
