So, some vector extremists/talents would say that the fewer points the better on vector curves, which is true as far as curve smoothness, but sometimes doesn't create the curve/angle/brush-stroke you want.
In this dribbble, you can see that I could have used only 9 points for the character, but it wouldn't have been the shape I was working towards.
It's a silly topic, really, but also, note that since this typeface uses a right-angled brush stroke, the downward slope of the right leg erroneously has a thickness, instead of a thinness. In this case, it is hinting at a sable-brush type stroke, which gets larger not only on down stroke, like in calligraphy, but more like on your pressure sensitive sketchpad.
Still, some of the quirks in typefaces are what give it character. And I'm no pro typeface designer.
8 Responses
Only thirteen vector points make this ampersand. Submitted before the bell. http://typesociety.org/fontaid.html
over 2 years ago
Pro
Chris Harrison
It's beautiful, Luke. Elegant. Fluid.
over 2 years ago
Pro
Scott Boms
Woot! Nice work Luke - very lovely.
over 2 years ago
Pro
Dan Cederholm
So smoooth. Bravo, sir.
over 2 years ago
Rebound
Ampersand
by Chris Harrison
Inspired by Luke's masterpiece, I experimented briefly on my own.
over 2 years ago
Pro
Cameron Moll
More, please.
over 2 years ago
Pro
Grant Hutchinson
This has just the right amount of wonderful, buttery label-ness Bézier’d all over it. We expected nothing less, sir.
over 2 years ago
Rebound
…the thirteen points
by Luke Dorny
So, some vector extremists/talents would say that the fewer points the better on vector curves, which is true as far as curve smoothness, but sometimes doesn't create the curve/angle/brush-stroke you want.
In this dribbble, you can see that I could have used only 9 points for the character, but it wouldn't have been the shape I was working towards.
It's a silly topic, really, but also, note that since this typeface uses a right-angled brush stroke, the downward slope of the right leg erroneously has a thickness, instead of a thinness. In this case, it is hinting at a sable-brush type stroke, which gets larger not only on down stroke, like in calligraphy, but more like on your pressure sensitive sketchpad.
Still, some of the quirks in typefaces are what give it character. And I'm no pro typeface designer.
over 2 years ago