Well, sir, you've proven that adage correct. But if you drop another bomb like this, we'll have to develop a new phrase. You're killing it!
Anyway, I really love the movement in these strokes, man. I can totally picture that brush pen you used twisting and angling with each curve. The connectivity is awesome here, and I'm really digging those double-tapered vertical strokes on the Bs and Ns. Really great way to pull together the type. I also love how the last N is punctuated with an exaggerated swash.
Let me ask this (and I'll probably regret it): How many times did you write this out to get this particular shot?
21 Responses
Pro
Teo™
Awesome work Henric! Very inspiring.
about 1 year ago
WOnderful brush work in your last shots!
about 1 year ago
Pro
Alen Type08 Pavlovic
This is buon buon!
about 1 year ago
Pro
Matt Vergotis
Serious style. Love your work.
about 1 year ago
Pro
Ivan Manolov
Precise touch!!! mate!
Great work!
about 1 year ago
These last three shots of yours are just stunning, I love it. Beautiful style, could stare at them for ages.
about 1 year ago
Yeah!
about 1 year ago
Pro
Sergey Shapiro
You know man!:)
about 1 year ago
Pro
Julius Seniūnas
love :) !
about 1 year ago
Sweet!
about 1 year ago
These are gorgeous.
about 1 year ago
Pro
Nick Slater
WOW!
about 1 year ago
Pro
Jerome Collinge
Beautiful !
about 1 year ago
Pro
Michael Spitz
Nice.
about 1 year ago
Really gorgeous Henric. I love the curves.
about 1 year ago
Pro
Jovan Petrić
My cat wants to know how you do this -.-
Splendid work!
about 1 year ago
Pro
Ged Palmer
Splendid indeed.
about 1 year ago
Pro
Henric Sjösten
I am too lazy to answer you all individually :) but I really appreciate every single comment! Inspiring :) Thank you!
about 1 year ago
As the french would say, oui tres bon.
about 1 year ago
What a sequence!
about 1 year ago
Pro
Jon Stapp | atomicvibe
Good things come in threes.
Well, sir, you've proven that adage correct. But if you drop another bomb like this, we'll have to develop a new phrase. You're killing it!
Anyway, I really love the movement in these strokes, man. I can totally picture that brush pen you used twisting and angling with each curve. The connectivity is awesome here, and I'm really digging those double-tapered vertical strokes on the Bs and Ns. Really great way to pull together the type. I also love how the last N is punctuated with an exaggerated swash.
Let me ask this (and I'll probably regret it): How many times did you write this out to get this particular shot?
about 1 year ago