Public Art Installations

Individuation

This artistic composition features a pair of sculptures that, when united, form a striking cube-like shape. Its purpose is to evoke and explore the concept of Individualization, which delves into the profound process of distinguishing an individual from the collective whole.

The design intricacies are deliberate; the cube's distorted structure, necessitated by its limited contact with the ground, relies on an internal three-dimensional cross of reinforced concrete. This internal support takes the form of a (Z) shaped pillar with strategically placed horizontal supports along the X and Y axes. Meanwhile, the companion sculpture finds its stability on another reinforced pillar within the composition.

Forged from chromatic black metal and adorned with bronze accents, these sculptures are meticulously crafted to convey strength and durability, enhancing their symbolic significance. These surfaces of black, grey, and bronze tones, are skillfully achieving a visual harmony that complements the installation's overall artistic statement.

XXI Century

This artistic composition delves deeply into the intricate interplay between humanity, its environment, and the relentless march of time within the context of the 21st century. Drawing inspiration from the profound philosophies of New Existentialism, it presents a captivating and symbolic depiction of civilization's unfolding narrative through the use of vertical concrete and glass prisms.

At the heart of this composition lies a poignant and evocative element—an artistic embodiment of 'Mother Nature' in the form of a female concrete figure. Placed in a corner of the installation, this representation assumes a posture of vulnerability and defeat, gazing away from the central body of the installation. This deliberate positioning and expression evoke a profound sense of hopelessness, inviting viewers to contemplate the complex relationship between humanity and the natural world, as well as the existential challenges of our time.

More by Jovan J.

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